I was sitting around
talking with friends the other day. We
got to discussing the best film remakes ever made. Remakes that were actually better than the
originals. Now, we dismissed all the
recent reboots and remakes that is all the rage right now in Hollywood. Debating whether 2012's Amazing Spider-Man is better than 2002's Spider-Man isn't really want we wanted to cover. Besides, isn't that a question best left for the
ages, for film scholars to discuss and debate way in the future. No, we wanted to get down to the
nitty-gritty. We wanted a list of the
top five, with one more as an honorable mention (I won't say which of this list
got that distinction). But here goes the
list, not in any particular order:
Heat (1995)
If you're like me, you
probably didn't even know this was remake.
What's more is that it is a remake by the same director, Michael
Mann! Heat (1995) is a retelling of Mann's 1989 television movie, "L.A.
Takedown". The main plot remains
the same, the colliding of wills that occurs when Vincent, the cop (Al Pacino)
is set against master criminal, Neil (Robert DeNiro). The original starred Scott Plank as Vincent,
and Alex McArthur as the master criminal, this time named Patrick. "L.A. Takedown" was shot in about
two weeks and aired on NBC as a pilot for a planned series.
Mann's theatrical take
is an immeasurable improvement over his former version. He was able to refine his script, lose
sequences that detracted from the narrative flow, and just happened to be able
to get two of the most intense actors of the era (before DeNiro got into
parody-mode, a story for another time).
If you ever have the chance to see the original, or come across the DVD,
watch it and you'll see...Mann's revised version is the better of the two.
Ocean’s Eleven (2001)
First, let me state
that I am a fan of The Rat Pack's classic 1960 original. The chemistry that existed between Frank
Sinatra, Sammy Davis, Jr., Peter Lawford, Dean Martin, and Joey Bishop was
phenomenal. But, honestly, this film was
no more than an excuse for them all to get together and party in Las Vegas
under the guise of filming a movie. The
film itself is a bit of a let-down with an unsatisfying ending.
Steven Soderbergh’s version
updated the heist, added an unbelievable ensemble of today's most charismatic
actors. and managed to kick off a rather successful trilogy. The updated story, with George Clooney taking
over for Sinatra, is a great mix of personalities, laughs, twists, and overall
fun! The 2001 version is everything the
original wishes it could have been!
The Maltese Falcon (1941)
Definitely at the top
of the list when it comes to Film Noir, the film features outstanding
performances by Humphrey Bogart, Mary Astor, Peter Lorre, and Sidney
Greenstreet. Based on the novel by
Dashiell Hammett, director John Huston's 1941 adaptation was actually the third
time the story was brought to the silver screen. Director Roy Del Ruth brought
his version to the screen in 1931, starring Ricardo Cortez and Bebe Daniels. Del Ruth's version was pre-code and therefore
more provocative and featured a possibly grittier Sam Spade. Many say Del Ruth's version stayed truest to Hammett's
version of Sam Spade. That film was
followed by the 1936 comedy version, Satan
Met A Lady, directed by William Dieterle and starring Bette Davis and
Warren William. Unfortunately the script
was mediocre at best and star power just couldn't save the film from falling
into obscurity. Huston's adaptation
towers over the others, however, by force of the sheer talent he gathered for
his cast. The film was nominated for
three Academy Awards, but alas failed capture any of them.
Little Shop of Horrors (1986)
Director Frank Oz’s dark
comedy, horror musical was well received but has really found its stride in home
video and late night theater special presentations! The original film was a low-budget effort by
the legendary Roger Corman in 1960.
Corman's version is a classic, don't get me a wrong, a true cult
classic. It even features a young Jack
Nicholson! Then, in 1982, an
off-Broadway (then Broadway) musical adaptation, by Alan Menken and Howard
Ashman, became a huge hit. It only made
sense to update the story for film once more and build upon the comedy of the
original while maintaining the great musical numbers of the
theater-version. The result is the more
popular Frank Oz film.
The Thing (1982)
In 1951, director
Howard Hawks introduced filmgoers to The
Thing from Another World. James
Arness (yes, Marshal Dillon from "Gunsmoke") plays a vegetable-based
alien life frozen in the Arctic wasteland only to be discovered and
accidentally thawed out. He goes on a
murderous rampage throughout an isolated Arctic research station before being
electrocuted by our heroic cast, lead by Kenneth Tobey. It's a classic. I love it.
It's classic 1950s science fiction.
But that's just the point, 1950s science fiction. The film just doesn't hold up as well today.
However....John Carpenter's
version successfully melds science fiction with his own horror styling and
gives us a thriller we can never forget!
Carpenter's 1982 version, has the isolated research station again
finding something frozen in ice. It
turns out to be a parasitic alien that can take the shape of any living being it
happens to catch alone. Both film
versions are based on a novel by John W.
Campbell Jr., entitled "Who Goes There?"
Though it was never a
big hit at the box office, Carpenter's film is one of the staples of the science
fiction horror genre. The special
effects, the mood, the mystery, not knowing who is human and who is the alien,
all come together to bring us one of the scariest films of my generation. There are still debates to this day as to how
the film really ends, who remained human and was the alien killed? If Carpenter knows, he isn't saying, and that
only adds to the popularity and mystique of the film. Don't get me wrong, I still highly recommend
anyone see the original if you ever get the chance, but Carpenter's version
will stay with you long after you have left the theater!
The Fly (1986)
When it comes to
science fiction horror, the original The
Fly (1958), directed by Kurt Neumann, falls prey to the same problems as The Thing from Another World. The original was great for its time, with a
great cast, David Hedison, Patricia Owens, and the incomparable Vincent Price. However, the film just doesn't hold up as
well today.
David Cronenberg’s 1986
film was a total immersive experience in body horror, eliciting a haptic
response that is off the charts! The
film became known for the grossest special effects and award-winning make-up. Starring Geena Davis and Jeff Goldblum, as
the brilliant scientist who begins to transform into a human/fly hybrid after
an experiment goes horribly wrong.
Aargh! I get chills just thinking
about Goldblum's transformation. Which,
I guess is exactly the response Cronenberg would want. There is a reason he is the king of body
horror.
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